For the British Embassy, Wilford ironically broke up a sandstone facade that could not be more boring and unmasks it as empty dazzle. The building's windows sit at an angle behind the "stone wallpaper". The facade is slanted toward the neighboring buildings. In the middle of the street-facing wall, where the "Piano Nobile" or the most distinguished floor was located in classical palaces, a two-storie-high hole gapes almost across the entire width of the building facade. Out of this hole - as an absolute break in style - two brightly colored buildings rise: a round, purple conference room and a light blue, trapezoidal information center. The embassy's entrance, on the other hand, could not be simpler: It is smoothly cut into the wall, which here looks like a courtyard wall.