The Philharmonie is considered to be Hans Scharoun's main work and a prime example of organic architecture. Each building was to develop "organically" outward from its inner use without a formal corset. This approach, specifically tailored to the individual building commission in question, earned Scharoun and the Philharmonie a great deal of criticism from architecture critics. Unlike Mies van der Rohe's buildings, for example, the Philharmonie could not become educational, and as a "unique specimen that could not be typified," it did not point the way for the further reconstruction of West Germany.