©9parusnikov - stock.adobe.com
Remote Bondage - Jahresabschlusskonzert
- Termin:
- Samstag, 14. Dezember 2024, 20:00 Uhr
- Ort:
- Badehaus Berlin
- Adresse:
- Revaler Straße 99, 10245 Berlin-Friedrichshain
- Preis:
- ab 22,70 €
Aktuelle Sprache: Deutsch
Dying Fetus
Termin-Details
- Termin Samstag, 14. Dezember 2024, 19:00 Uhr
- Ort Columbia Theater
- Adresse Columbiadamm 9-11, 10965 Berlin-Kreuzberg
- Preis ab 43,55 €
Tickets für diesen Termin buchen
Verkehrsanbindungen
-
U-Bahn
-
Bus
-
Columbiadamm/Platz der Luftbrücke
- 248
- M43
-
Berlin, Columbiadamm/Friesenstr.
- 248
- M43
-
Jüterboger Str.
- 248
-
U Platz der Luftbrücke
- 248
- N42
- M43
- N6
-
Platz der Luftbrücke
- M43
-
Kaiserkorso
- 248
-
Marheinekeplatz
- 248
-
Golßener Str.
- M43
-
Bergmannstr.
- N6
- N42
-
Bayernring
- 248
-
U Gneisenaustr.
- 248
- 140
- N7
-
U Paradestr.
- N6
-
Columbiadamm/Platz der Luftbrücke
Dying Fetus - European Tour Fall 2024
© Eventim
DYING FETUS established a reputation for uncompromising integrity with a slew of classic albums and today rides a resurgence of respect and esteem with a new generation. As Revolver Magazine wrote upon the release of their first new material since 2017’s Wrong One To Fuck With: “Their unique sound has always straddled the line between extreme metal instrumentation and heavy hardcore chugginess, and right now, they’re extremely well-regarded by many of today’s heavy-hitting hardcore acts, as well as their fair share of death metal and deathcore up-and-comers.”
Recorded in Baltimore with longtime producer Steve Wright (Future Islands) and mixed by Mark Lewis (Cannibal Corpse), Make Them Beg For Death contains every Dying Fetus hallmark. The veteran death metal band’s ninth album is fast, intense, and brimming with unstoppable grooves.
Monstrous riffs, blast beats, unstoppable hooks, and earth-moving grooves define their catalog. The Black Dahlia Murder, Suicide Silence, and Whitechapel co-headlined tours with Dying Fetus in recent years, a testament to the veteran band’s continued relevance and respect in the genre. Decibel Magazine inducted the band’s zeitgeist third album, Destroy the Opposition (2000), into their prestigious Hall Of Fame, next to genre-defining classics from the likes of Metallica and Slayer. Metal Injection hailed Wrong One to Fuck With as a “menacing motherfucker.” The band continually refines its unique take on death, grind, and hardcore with a combination of virtuosity and ferocity, inescapably catchy hooks and punishing breakdowns, and a lack of pretension.
“We put our own twist on death metal,” explains co-vocalist/guitarist John Gallagher, who co-founded the group in 1991. “We were like most bands, starting in the garage, drinking beer, having a little fun on the weekend, finding the right amps through trial and error. We blended aspects of bands we liked – Suffocation, Obituary, Deicide, and Cannibal Corpse, among others; the dual vocal approach of Carcass – and made them our own. ‘Let’s make it moshy, let’s make it slammy.’”
Surprisingly, the band took a few cues from early Agnostic Front and Madball and even a bit of Rage Against The Machine, whose debut album arrived in 1992. “I wanted to take some of that groove and put it into death metal,” Gallagher says. Internal Bleeding, arguably the first band to do “all slam, all the time,” was another influence; their native New York was just a few hours away from the Dying Fetus home base in Maryland. “That whole New York scene really inspired us. It was a big part of our development, as all of our bands were continually influenced by each other.”
Eschewing leather and spikes in favor of t-shirts, and shorts, the “street level” look of Dying Fetus ruffled some feathers in elitist metal circles but helped the music crossover to other scenes. That no-frills approach is the norm today; some death metal bands even sell branded basketball shorts.
Early demos and a pair of albums on smaller labels led to the landmark release of Destroy the Opposition. The high-speed Stop At Nothing (2003) introduced bassist Sean Beasley, who began sharing vocal duties with Gallagher on the excessively brutal War of Attrition (2007). Drummer Trey Williams rounded out the modern, definitive Dying Fetus lineup beginning with the tech-metal masterpiece, Descend into Depravity (2009). “Outstanding technical bands like Necrophagist were out at that time,” Beasley remembers. “I wrote songs with like 25 riffs in them.”
While no less technically proficient, Reign Supreme (2012) pushed the band’s groovier side back to the forefront. (“Second Skin” even appeared in an episode of South Park.) Five years later, “Dying Fetus hit the mark again” (Exclaim!) with the ruthless and crushing Wrong One To Fuck With.
Hatebreed, As I Lay Dying, Knocked Loose, GWAR, Morbid Angel, and Six Feet Under are just a few bands who’ve taken Dying Fetus on tour over the years. In 2014, the fan-driven and tongue-in-cheek “What About Dying Fetus?” hashtag campaign earned them a mainstage spot at the UK’s Download Festival, playing before the likes of Bring Me The Horizon, Fall Out Boy, and Linkin Park.
Make Them Beg For Death, set for release in 2023, delivers savage beatdowns equally designed to pulverize and mesmerize. “It follows on from where Wrong One To Fuck With left off,” Williams promises. “We don’t need to participate in the technical death metal arms race. We’ve got the big guns, and we’ve proven that. It’s all about pointing them in the right direction, so to speak.”
To the men of Dying Fetus, the mission is straightforward. “The philosophy is the same now as it was when the band started,” Gallagher confirms. “To write catchy riffs and to make it memorable. Whatever style of music you’re doing, make it something people want to hear repeatedly.”
Recorded in Baltimore with longtime producer Steve Wright (Future Islands) and mixed by Mark Lewis (Cannibal Corpse), Make Them Beg For Death contains every Dying Fetus hallmark. The veteran death metal band’s ninth album is fast, intense, and brimming with unstoppable grooves.
Monstrous riffs, blast beats, unstoppable hooks, and earth-moving grooves define their catalog. The Black Dahlia Murder, Suicide Silence, and Whitechapel co-headlined tours with Dying Fetus in recent years, a testament to the veteran band’s continued relevance and respect in the genre. Decibel Magazine inducted the band’s zeitgeist third album, Destroy the Opposition (2000), into their prestigious Hall Of Fame, next to genre-defining classics from the likes of Metallica and Slayer. Metal Injection hailed Wrong One to Fuck With as a “menacing motherfucker.” The band continually refines its unique take on death, grind, and hardcore with a combination of virtuosity and ferocity, inescapably catchy hooks and punishing breakdowns, and a lack of pretension.
“We put our own twist on death metal,” explains co-vocalist/guitarist John Gallagher, who co-founded the group in 1991. “We were like most bands, starting in the garage, drinking beer, having a little fun on the weekend, finding the right amps through trial and error. We blended aspects of bands we liked – Suffocation, Obituary, Deicide, and Cannibal Corpse, among others; the dual vocal approach of Carcass – and made them our own. ‘Let’s make it moshy, let’s make it slammy.’”
Surprisingly, the band took a few cues from early Agnostic Front and Madball and even a bit of Rage Against The Machine, whose debut album arrived in 1992. “I wanted to take some of that groove and put it into death metal,” Gallagher says. Internal Bleeding, arguably the first band to do “all slam, all the time,” was another influence; their native New York was just a few hours away from the Dying Fetus home base in Maryland. “That whole New York scene really inspired us. It was a big part of our development, as all of our bands were continually influenced by each other.”
Eschewing leather and spikes in favor of t-shirts, and shorts, the “street level” look of Dying Fetus ruffled some feathers in elitist metal circles but helped the music crossover to other scenes. That no-frills approach is the norm today; some death metal bands even sell branded basketball shorts.
Early demos and a pair of albums on smaller labels led to the landmark release of Destroy the Opposition. The high-speed Stop At Nothing (2003) introduced bassist Sean Beasley, who began sharing vocal duties with Gallagher on the excessively brutal War of Attrition (2007). Drummer Trey Williams rounded out the modern, definitive Dying Fetus lineup beginning with the tech-metal masterpiece, Descend into Depravity (2009). “Outstanding technical bands like Necrophagist were out at that time,” Beasley remembers. “I wrote songs with like 25 riffs in them.”
While no less technically proficient, Reign Supreme (2012) pushed the band’s groovier side back to the forefront. (“Second Skin” even appeared in an episode of South Park.) Five years later, “Dying Fetus hit the mark again” (Exclaim!) with the ruthless and crushing Wrong One To Fuck With.
Hatebreed, As I Lay Dying, Knocked Loose, GWAR, Morbid Angel, and Six Feet Under are just a few bands who’ve taken Dying Fetus on tour over the years. In 2014, the fan-driven and tongue-in-cheek “What About Dying Fetus?” hashtag campaign earned them a mainstage spot at the UK’s Download Festival, playing before the likes of Bring Me The Horizon, Fall Out Boy, and Linkin Park.
Make Them Beg For Death, set for release in 2023, delivers savage beatdowns equally designed to pulverize and mesmerize. “It follows on from where Wrong One To Fuck With left off,” Williams promises. “We don’t need to participate in the technical death metal arms race. We’ve got the big guns, and we’ve proven that. It’s all about pointing them in the right direction, so to speak.”
To the men of Dying Fetus, the mission is straightforward. “The philosophy is the same now as it was when the band started,” Gallagher confirms. “To write catchy riffs and to make it memorable. Whatever style of music you’re doing, make it something people want to hear repeatedly.”
Laufzeit: Fr, 22.11.2024 bis Sa, 14.12.2024
Alternative Veranstaltungen
© Eventim
Moop Mama x Älice - Wieder Laut Tour 2024
Moop Mama - Blasmusik und Rap? Was man in den Anfangsjahren noch umständlich erklären musste - nope its not polka hip hop - hat sich mittlerweile auf ungezählten Festivals bewährt. 4 Studioalben samt zugehöriger Touren, 2 Live-Alben, diverse Single Releases... mehrzu: Moop Mama x Älice - Wieder Laut Tour 2024
- Termin:
- Samstag, 14. Dezember 2024, 20:00 Uhr
- Ort:
- Huxleys Neue Welt
- Adresse:
- Hasenheide 107, 10967 Berlin-Neukölln
- Preis:
- ab 44,45 €
© Quelle: Reservix-System
Welthits auf Hessisch - Tilman Birr & Elis C. Bihn
Wenn Elvis Presley, Roxette oder The Police hessisch gesungen hätten, die Musikgeschichte wäre anders verlaufen. Ob besser oder schlechter... naja, wer weiß das schon so genau? Jedenfalls hätte man sie besser verstanden. Zum Glück gibt es Tilman Birr... mehrzu: Welthits auf Hessisch - Tilman Birr & Elis C. Bihn
- Nächster Termin:
- Weißte, wie isch mein
- Termin:
- Samstag, 14. Dezember 2024, 20:00 Uhr
- Ort:
- ufaFabrik - Theatersaal
- Adresse:
- Viktoriastraße 10-18, 12105 Berlin-Tempelhof
- Preis:
- ab 27,40 €
© Eventim
Future Palace - Live 2024
2023 war erst der Anfang. Future Palace schauen zurück auf ihre exzeptionell erfolgreiche „Run“-Tour und kündigen die nächste Konzertreise mit Stopps in weiten Teilen Europas für 2024 an. Dass das so kommen musste, war schon länger abzusehen: Viele der... mehrzu: Future Palace - Live 2024
- Nächster Termin:
- Future Palace
- Termin:
- Sonntag, 15. Dezember 2024, 20:00 Uhr
- Ort:
- Huxleys Neue Welt
- Adresse:
- Hasenheide 107, 10967 Berlin-Neukölln
- Preis:
- ab 32,50 €
© Eventim
SILLY mit Julia Neigel und Toni Krahl - elektroAKUSTIK – Tour 2024
- Termin:
- Montag, 16. Dezember 2024, 20:00 Uhr
- Ort:
- Philharmonie Berlin
- Adresse:
- Herbert-von-Karajan-Straße 1, 10785 Berlin-Tiergarten
- Preis:
- ab 58,25 €
Fragen zum Veranstaltungskalender beantwortet unsere Hilfe. Nutzungsbedingungen finden Sie unter Informationen zu unseren Partnern und Nutzungsbedingungen.