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KILL ME

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KILL ME

Marina Otero

© Sofia Alazraki

With her overwhelming, radical, but also humorous and intimate stage language, Marina Otero consistently fills the theatre with contradictory energy. As in her performances “LOVE ME” and “FUCK ME”, both of which were part of the “¡PROTAGONISTAS! Resistance Feminisms Revolution ” festival at HAU in June 2023, the choreographer and dancer also draws on her own biography in “KILL ME”. Otero’s sultry performances are part of her “Remember to Live” project, a never-ending body of work in which she is her own object of research – a process which will continue until the day she dies. In this new creation, she explores her own mental illness. In ecstatic dance sequences as well as autofictional and self-deprecating texts, Otero is joined by four performers and an actor playing ballet dancer Vaslav Nijinsky in a game of reality and fiction about mental health and the madness of love.

ca. 90 Min.

Artists/Collaborators: Marina Otero (Text und Regie), Ana Cotoré (Mit), Josefina Gorostiza (Mit), Natalia Lopéz Godoy (Mit), Myriam Henne-Adda (Mit), Marina Otero (Mit), Tomás Pozzi (Mit), Myriam Henne-Adda (Livemusik), Lucrecia Pierpaoli (Regieassistenz), Victor Longás Vicente (Lichtdesign und Bühnenbild), David Seldes (Lichtdesign und Bühnenbild), Antonio Navarro (Sounddesign), Andy Piffer (Kostümdesign), Victor Longás Vicente (Technische Leitung und Licht (Tour)), Martín Flores Cárdenas (Dramaturgie), Sofia Alazraki (Fotographie), Florencia de Mugica (Video), Mariano de Mendonça (Produktionsleitung), Kysy Fischer (Produktionsassiatenz), Otto Productions (Nicolas Roux (Distribution), Lucila Piffer) (Distribution), Tecuatro (Jonathan Zak (Distribution), Maxime Seugé) (Distribution), PTC Teatro (Olvido Orovio) (Distribution)

Co-production: HAU Hebbel am Ufer, Teatros del Canal (Madrid), Cité européenne du théâtre, Domaine d’O, Montpellier/ PCM2024, Théâtre du Rond-Point (Paris), Célestins, Théâtre de Lyon, FITEI Festival Internacional de Teatro de expressão Iberica (Porto). Funded by: Bündnis internationaler Produktionshäuser with funds from the Federal Government Commissioner for Culture and the Media.

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