© dpa
Weekend Tips: What to Do This Weekend in Berlin
November 22 - 24, 2024: Events, concerts, exhibitions and more things to do for your perfect weekend in Berlin. more
Current language: English
INTERLUDE - Should I stay or should I go?
Date details
- Date Saturday, 23/November/2024 20:00 (1 more date)
- Venue Brotfabrik - Kino
- Address Caligariplatz 1, 13086 Berlin-Weißensee
Public transportation
-
Bus
-
Caligariplatz
- 156
-
Prenzlauer Allee/Ostseestr.
- 158
- N58
- 156
-
Gustav-Adolf-Str./Langhansstr.
- 156
-
Stahlheimer Str./Wisbyer Str.
- M13
-
Prenzlauer Promenade/Am Steinberg
- 255
- N50
- N58
-
Erich-Weinert-Str.
- 156
-
Heinersdorfer Str./Am Steinberg
- 255
- N50
-
Hamburger Platz
- 156
- 255
- N50
-
Ostseeplatz
- 158
-
Am Steinberg
- N58
-
Caligariplatz
-
Tram
-
Prenzlauer Allee/Ostseestr.
- 12
- 50
- M1
- M13
- M2
-
Stahlheimer Str./Wisbyer Str.
- 12
- 50
- M1
- M13
-
Gustav-Adolf-Str./Langhansstr.
- 12
- 50
- M1
- M13
- M2
-
Prenzlauer Promenade/Am Steinberg
- M13
- M2
-
Erich-Weinert-Str.
- M2
-
Am Steinberg
- M13
- M2
-
Friesickestr.
- 12
- 50
- M1
- M13
- M2
-
Humannplatz
- 12
- M1
-
Prenzlauer Allee/Ostseestr.
Part of:
INTERLUDE - Should I stay or should I go?
A play about leaving and staying
INTERLUDE - Should I stay or should I go? – INTERLUDE - Should I stay or should I go?
© Promo
Interlude (translation: period; section; interlude, intermezzo) is a play about going and staying. Mel loves the sea and is afraid of houses, especially those with balconies. Her premise is that going is easy and staying is hard. However, all the things associated with going are also hard. Hurting people, for example. It's easy to sleep with someone, maybe even easier to laugh about forgetting their name. It's hard to admit to yourself that you've been lost in the anonymity of sex. It's easy to ask for someone else's absolution, it's hard to give it to yourself.
Romantic or explicitly unromantic, Mel's inner dichotomy is revealed in the face of intimacy. After all, if you were alone, without friends, family and lovers, you wouldn't have to leave anyone. It's not about right or wrong. It's about the versions of life that Mel jumps back and forth between. A life that you don't live is full of possibilities and secrets, moments that you won't experience. You know they exist, these moments. Pale, like the fading lines of a stamp that become thinner with every wash of the hands. We follow Mel on a ride between trains of thought and self-talk. She is surrounded by memories, hopes, wishes and fears - an expression of her desires. Mel's inner voice takes the form of fathers, a train servant or cities, among others. Voices that tug at her, voices that disagree, voices that search for peace. One way, like the other, is an approach with the purpose of finding access to oneself.
Despair is okay.
Mistakes are okay.
Decisions are okay.
The play by the young ensemble led by Lea Reinhardt performed very successfully in July and is now being performed again due to high demand.
Romantic or explicitly unromantic, Mel's inner dichotomy is revealed in the face of intimacy. After all, if you were alone, without friends, family and lovers, you wouldn't have to leave anyone. It's not about right or wrong. It's about the versions of life that Mel jumps back and forth between. A life that you don't live is full of possibilities and secrets, moments that you won't experience. You know they exist, these moments. Pale, like the fading lines of a stamp that become thinner with every wash of the hands. We follow Mel on a ride between trains of thought and self-talk. She is surrounded by memories, hopes, wishes and fears - an expression of her desires. Mel's inner voice takes the form of fathers, a train servant or cities, among others. Voices that tug at her, voices that disagree, voices that search for peace. One way, like the other, is an approach with the purpose of finding access to oneself.
Despair is okay.
Mistakes are okay.
Decisions are okay.
The play by the young ensemble led by Lea Reinhardt performed very successfully in July and is now being performed again due to high demand.
Artists/Collaborators: Clara Devantie (Regieassistenz), Lea Reinhardt (Text und Regie), Henry Wiese (Video), Mona Schäfer, Sophie Witt, Helena Houssay, Leander Rennecke
Alternative events
© Moritz Haase
Fremd
During the economic boom of post-war Germany, nobody wanted to be associated with the issues: the Nazi-crimes of the past, the rupture of civilisation and the Holocaust. The murders were banished from memory, but the pain remained. And even today, nobody... moreabout: Fremd
- Date:
- until 28/04/2025 (1 more date)
- Venue:
- Berliner Ensemble - Neues Haus
- Address:
- Bertolt-Brecht-Platz 1, 10117 Berlin-Mitte
- Price:
- from €30.75
© Videostill Artis Dzerve
Macbeth
Conductor: Enrique Mazzola; Staging: Marie-Ève Signeyrole; With Roman Burdenko / Thomas Lehman, Marko Mimica / Byung Gil Kim, Anastasia Bartoli / Felicia Moore, Attilio Glaser / Andrei Danilov and others. About the work Macbeth was the first of Shakespeare’s... moreabout: Macbeth
- Date:
- Saturday, 23/November/2024 18:00 (6 more dates)
- Venue:
- Deutsche Oper Berlin
- Address:
- Bismarckstraße 35, 10627 Berlin-Charlottenburg
- Price:
- from €113.50
© Eventim
Der Lametta-Mörder - Dinner-Krimi
Das Konzept Bei einem Dinner-Krimi im Habel am Reichstag genießen Sie ein feines Menü und werden Zeugen eines ebenso spannenden wie unterhaltsamen Theaterkrimis. Tauchen Sie mit uns ein ins Berlin der 20er Jahre und werden dabei zu Gaunern, Ganoven und... moreabout: Der Lametta-Mörder - Dinner-Krimi
- Date:
- Saturday, 23/November/2024 19:00 (2 more dates)
- Venue:
- Habel am Reichstag
- Address:
- Luisenstraße 19, 10117 Berlin-Mitte
- Price:
- from €93.95
© Quelle: Reservix-System
MISSBILDUNGEN - Theaterstück von Ariana Emminghaus
Schauspiel Die Temnitzschreiberin des vergangenen Jahres 2023: Ariana Emminghaus! Sie ist nicht nur Essayistin und Lyrikerin, sondern auch Theaterautorin. Ihr Werk „Missbildungen“ er-lebte seine "Ur-Lesung" 2020 am Schauspiel Leipzig. Nach der Theater-Uraufführung... moreabout: MISSBILDUNGEN - Theaterstück von Ariana Emminghaus
- Date:
- Saturday, 23/November/2024 19:30
- Venue:
- Temnitzkirche (Temnitzquell)
- Address:
- Dorfstraße 6, 16818 Temnitzquell
- Price:
- from €18.00
© Teatro La Plaza
Hamlet
With respectful disrespect, Teatro La Plaza from Peru rewrites Shakespeare's “Hamlet” and turns conventional wisdom on its head. Taking centre stage is not the Prince of Denmark but rather a group of eight performers with Down's syndrome, sharing their... moreabout: Hamlet
- Date:
- Saturday, 23/November/2024 19:30
- Venue:
- HAU Hebbel am Ufer - HAU1
- Address:
- Stresemannstraße 29 A, 10963 Berlin-Kreuzberg
- Price:
- from €11.00
The help page for the event calendar answers common questions.. Information about coperations and imprint can be found on our page about partners and terms and conditions.