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October 11 - 13, 2024: Events, concerts, exhibitions and more things to do for your perfect weekend in Berlin. more
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Die Harmonielehre #3 Ein Ermordeter aus Warschau
Date details
- Date Friday, 01/November/2024 19:30 (2 more dates)
- Venue Theater im Delphi
- Address Gustav-Adolf-Straße 2, 13086 Berlin-Weißensee
- Price from €20.00
Book tickets for this date
Public transportation
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Bus
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Caligariplatz
- 156
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Prenzlauer Allee/Ostseestr.
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- N58
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Gustav-Adolf-Str./Langhansstr.
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Erich-Weinert-Str.
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Stahlheimer Str./Wisbyer Str.
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Prenzlauer Promenade/Am Steinberg
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Heinersdorfer Str./Am Steinberg
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Hamburger Platz
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Ostseeplatz
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Humannplatz
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S Prenzlauer Allee
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Roelckestr./Langhansstr.
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Schieritzstr.
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Caligariplatz
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Prenzlauer Allee/Ostseestr.
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Gustav-Adolf-Str./Langhansstr.
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- M1
- M13
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Stahlheimer Str./Wisbyer Str.
- 12
- 50
- M1
- M13
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Prenzlauer Promenade/Am Steinberg
- M13
- M2
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Erich-Weinert-Str.
- 12
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Friesickestr.
- 12
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Humannplatz
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Am Steinberg
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S Prenzlauer Allee
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Prenzlauer Allee/Ostseestr.
Part of:
Die Harmonielehre #3 A Murdered from Warsaw
(based on A SURVIVOR FROM WARSAW by Arnold Schönberg)
Novoflot Foto Falko Siewert
© Falko Siewert
![Novoflot Foto Falko Siewert]()
Novoflot Foto Falko Siewert
© Falko Siewert
![Novoflot Foto Falko Siewert]()
Novoflot Foto Falko Siewert
© Falko Siewert
Novoflot presents the latest part of its Arnold Schönberg cycle. The music theatre production ‘A Murdered from Warsaw’, conceived together with the Berlin author Max Czollek and the Swiss composer Michael Wertmüller, takes an unusual and extremely contemporary look at the melodrama ‘A Survivour from Warsaw’ by Arnold Schönberg, composed in 1947.
With “A Survivor from Warsaw”, Arnold Schönberg addressed the suppression of the uprising in the Warsaw ghetto. The composition is a harrowing testimony to the most brutal dehumanisation and one of the few works of music to specifically address the Holocaust. 75 years after the premiere, Novoflot is rewriting the composition against the backdrop of historical and current war and expulsion scenarios as part of its multi-part Schönberg project (‘Die Harmonielehre’). The libretto was written by the Berlin author Max Czollek, whose publications (including ‘Desintegriert euch’) have repeatedly triggered far-reaching social debates. The composer is Michael Wertmüller, enfant terrible of international contemporary music and closely associated with the work of Novoflot for many years. ‘A Murdered Man from Warsaw’ is a music theatre hybrid that constantly realigns itself between opera, drama, installation and concert. In addition to the British singer Rosemary Hardy, the Israeli contralto Noa Frenkel and the Japanese dancer Ichi Go, the librettist Max Czollek will also be appearing as a live performer.
With “A Survivor from Warsaw”, Arnold Schönberg addressed the suppression of the uprising in the Warsaw ghetto. The composition is a harrowing testimony to the most brutal dehumanisation and one of the few works of music to specifically address the Holocaust. 75 years after the premiere, Novoflot is rewriting the composition against the backdrop of historical and current war and expulsion scenarios as part of its multi-part Schönberg project (‘Die Harmonielehre’). The libretto was written by the Berlin author Max Czollek, whose publications (including ‘Desintegriert euch’) have repeatedly triggered far-reaching social debates. The composer is Michael Wertmüller, enfant terrible of international contemporary music and closely associated with the work of Novoflot for many years. ‘A Murdered Man from Warsaw’ is a music theatre hybrid that constantly realigns itself between opera, drama, installation and concert. In addition to the British singer Rosemary Hardy, the Israeli contralto Noa Frenkel and the Japanese dancer Ichi Go, the librettist Max Czollek will also be appearing as a live performer.
Artists/Collaborators: Jacopo Salvatori (Klavier, Orgel/Piano, Organ) (Mit), Sven Holm (Regie & Konzept), Vicente Larrañaga (Musikalische Leitung), Albrecht Leu (Sounddesign), ensemble dissonArt (Theodoros Patsalidis / 1. Violine/Violin I, Andreas Papanikolaou / 2. Violine/Violin II, David Bogorad / Viola, Vasilis Saitis / Violoncello, Lenio Liatsou / Klavier/Piano) (Mit), Axel Lambrette, Rania Mavriki (Produktionsleitung), Nina von Mechow (Ausstattung), Johnny La Marama (Chris Dahlgren / E-Bass, Gesang/Singer, Eric Schaefer / Drums, Voice, Peter Meyer / E-Guitar) (Mit), Bruno Pocheron (Lichtdesign), Rebecca Riedel (Video), Max Czollek (Lecture Performance), Rosemary Hardy (Sopran/Soprano), Noa Frenkel (Alt/Alto), Ichi Go (Tanz,Gesang/Dance, Singer), Simon Stockhausen (Live-Electronics) (Mit), Maxime Barbasetti, Henriette Bothe, Hayden Chisholm, Altea Garrido, Aminata Toscano (Videodarsteller:innen), Malte Ubenauf (Dramaturgie & Konzept), Dörte Wolter (Management), k3 berlin (Presse- und Öffentlichkeitsarbeit)
In co-production with Kunstfest Weimar, Musikfestival Bern, Kölner Philharmonie, WDR 3 and Theater im Delphi, Berlin. Supported by the Capital Cultural Fund, the Berlin Senate Department for Culture and Social Cohesion and Pro Helvetia - Swiss Arts Council
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