© Andy Phillipson
Weekend Tips: What to Do This Weekend in Berlin
November 15 - 17, 2024: Events, concerts, exhibitions and more things to do for your perfect weekend in Berlin. more
Current language: English
Die Zauberflöte
Date details
- Date Sunday, 09/February/2025 16:00 (9 more dates)
- Venue Deutsche Oper Berlin
- Address Bismarckstraße 35, 10627 Berlin-Charlottenburg
- Price from €32.10
Book tickets for this date
Public transportation
-
Underground
-
U Deutsche Oper
- U2
-
U Bismarckstr.
- U2
- U7
-
U Richard-Wagner-Platz
- U7
-
U Wilmersdorfer Str.
- U7
-
U Deutsche Oper
-
Bus
-
U Deutsche Oper
- N2
-
U Bismarckstr.
- N2
- N7
-
Bismarckstr./Leibnizstr.
- 101
-
Warburgzeile
- M45
-
Bismarckstr./Kaiser-Friedrich-Str.
- 109
- N7
-
Otto-Suhr-Allee/Leibnizstr.
- 101
- M45
-
Berlin, Goethestr.
- 101
-
U Richard-Wagner-Platz
- N7
- M45
-
U Wilmersdorfer Str.
- 309
- M49
- X34
- X49
-
Haubachstr.
- 109
-
Berlin, Kaiser-Friedrich-Str./Kantstr.
- M49
- X34
- 309
- X49
- 109
- N7
-
U Wilmersdorfer Str./S Charlottenburg
- X49
- S7
- S9
- 309
-
Berlin, Kantstr./Leibnizstr.
- M49
- X34
- 101
-
Eosanderstr.
- M45
-
Zillestr.
- 309
-
U Sophie-Charlotte-Platz
- 309
-
U Deutsche Oper
Part of:
The Magic Flute
Die Zauberflöte – Eine Szenenimpression aus dem ersten Aufzug. Bettina Stöß
© Bettina Stöß
![Wolfgang Amadeus Mozart: Die Zauberflöte (2019) – Ruth Tromboukis]()
Wolfgang Amadeus Mozart: Die Zauberflöte (2019) – Ruth Tromboukis
© Ruth Tromboukis
![Matthew Newlin singt „Dies Bildnis ist bezaubernd schön“ aus DIE ZAUBERFLÖTE – Ruth Tromboukis]()
Matthew Newlin singt „Dies Bildnis ist bezaubernd schön“ aus DIE ZAUBERFLÖTE – Ruth Tromboukis
© Ruth Tromboukis
![Die Zauberflöte – Philipp Jekal als Papageno Bettina Stöß]()
Die Zauberflöte – Philipp Jekal als Papageno Bettina Stöß
© Bettina Stöß
![Die Zauberflöte – Philipp Jekal als Papageno, Attilio Glaser als Tamino, Kim-Lillian Strebel als 1. Dame, Annika Schlicht als 2. Dame, Ronnita Miller als 3. Dame Bettina Stöß]()
Die Zauberflöte – Philipp Jekal als Papageno, Attilio Glaser als Tamino, Kim-Lillian Strebel als 1. Dame, Annika Schlicht als 2. Dame, Ronnita Miller als 3. Dame Bettina Stöß
© Bettina Stöß
![Die Zauberflöte – Attilio Glaser als Tamino, Seth Carico als Sprecher Bettina Stöß]()
Die Zauberflöte – Attilio Glaser als Tamino, Seth Carico als Sprecher Bettina Stöß
© Bettina Stöß
![Die Zauberflöte – Kathryn Lewek als Königin der Nacht Bettina Stöß]()
Die Zauberflöte – Kathryn Lewek als Königin der Nacht Bettina Stöß
© Bettina Stöß
![Die Zauberflöte – Eine Szenenimpression aus dem zweiten Aufzug. Bettina Stöß]()
Die Zauberflöte – Eine Szenenimpression aus dem zweiten Aufzug. Bettina Stöß
© Bettina Stöß
![Die Zauberflöte – Elena Tsallagova als Pamina, Tobias Kehrer als Sarastro, Attilio Glaser als Tamino Bettina Stöß]()
Die Zauberflöte – Elena Tsallagova als Pamina, Tobias Kehrer als Sarastro, Attilio Glaser als Tamino Bettina Stöß
© Bettina Stöß
![Die Zauberflöte – Philipp Jekal als Papageno, Alexandra Hutton als Papagena Bettina Stöß]()
Die Zauberflöte – Philipp Jekal als Papageno, Alexandra Hutton als Papagena Bettina Stöß
© Bettina Stöß
![Die Zauberflöte – Kathryn Lewek als Königin der Nacht, Elena Tsallagova als Pamina Bettina Stöß]()
Die Zauberflöte – Kathryn Lewek als Königin der Nacht, Elena Tsallagova als Pamina Bettina Stöß
© Bettina Stöß
![Die Zauberflöte – Attilio Glaser als Tamino, Elena Tsallagova als Pamina Bettina Stöß]()
Die Zauberflöte – Attilio Glaser als Tamino, Elena Tsallagova als Pamina Bettina Stöß
© Bettina Stöß
![Die Zauberflöte – Eine Szenenimpression aus dem zweiten Aufzug. Bettina Stöß]()
Die Zauberflöte – Eine Szenenimpression aus dem zweiten Aufzug. Bettina Stöß
© Bettina Stöß
![Die Zauberflöte – Eine Szenenimpression aus dem zweiten Aufzug. Bettina Stöß]()
Die Zauberflöte – Eine Szenenimpression aus dem zweiten Aufzug. Bettina Stöß
© Bettina Stöß
![Die Zauberflöte – Elena Tsallagova als Pamina Bettina Stöß]()
Die Zauberflöte – Elena Tsallagova als Pamina Bettina Stöß
© Bettina Stöß
![Die Zauberflöte – Elena Tsallagova als Pamina, Attilio Glaser als Tamino Bettina Stöß]()
Die Zauberflöte – Elena Tsallagova als Pamina, Attilio Glaser als Tamino Bettina Stöß
© Bettina Stöß
![Die Zauberflöte – Alexandra Hutton als Papagena Bettina Stöß]()
Die Zauberflöte – Alexandra Hutton als Papagena Bettina Stöß
© Bettina Stöß
![Die Zauberflöte – Eine Szenenimpression aus dem zweiten Aufzug. Bettina Stöß]()
Die Zauberflöte – Eine Szenenimpression aus dem zweiten Aufzug. Bettina Stöß
© Bettina Stöß
![Die Zauberflöte – Philipp Jekal als Papageno, Alexandra Hutton als Papagena Bettina Stöß]()
Die Zauberflöte – Philipp Jekal als Papageno, Alexandra Hutton als Papagena Bettina Stöß
© Bettina Stöß
Mixing Viennese folk theatre, Masonic mystery and fairy tale, this opera is probably the most performed in the German-speaking world and, in Günter Krämer's colourful, highly visual production, a favourite with our audiences ... Conductor: Giulio Cilona / Friedrich Praetorius; Director: Günter Krämer; With Tobias Kehrer / Patrick Guetti, Andrei Danilov / Kieran Carrel / Kangyoon Shine Lee / Matthew Newlin / Attilio Glaser, Hye-Young Moon, Elena Tsallagova / Lilit Davtyan / Nina Solodovnikova / Hye-Young Moon, Alexandra Oomens / Sua Jo, Philipp Jekal / Artur Garbas et al.
About the workIt’s the most performed opera in the German-speaking region, an unusual – and masterly – blend of Viennese folk theatre and fairy tale, mythology and freemasonry mystique: Mozart’s THE MAGIC FLUTE remains a puzzle to this day. Did Mozart and his librettist Schikaneder switch horses from the Queen of the Night to Sarastro half way through? Is the message not one of distrust towards a supposedly infallible priesthood and its simplistic good-versus-evil ideology? Are some Mozart experts right when they talk of a disconnect between text and music? Whatever the answer, it’s the music that allows us to relate to the story’s contradictions. Far from denouncing the characters, it confers an existentiality on their conflicts.
Tamino is rescued from a dragon by three mysterious women, who show him a picture of Pamina, daughter of the Queen of the Night, who has been kidnapped by Sarastro, high priest of the Temple of the Sun. Besotted with the picture, Tamino is instructed by the Queen to team up with Papageno to rescue her. For a talisman he is given a magic flute, Papageno some magic bells. When they fail to steal Pamina back, the three of them are subjected to a series of perilous ordeals. Firstly, the men must prove they can keep silent. With Tamino not speaking to her, Pamina is about to stab herself but is saved by the three boy spirits, who lead her to Tamino. The pair then pass the remaining ordeals by fire and water. Meanwhile Papageno has acquired a lady friend, with whom he dreams of living happily ever after. Tamino and Pamina are inducted into the brotherhood of the Enlightened and embrace the ideals of nature, wisdom and reason.
About the productionThe Günter Krämer production focuses on the antithesis between two worlds, represented in THE MAGIC FLUTE by sun versus moon and dark versus light but also by the oppositions of nature versus culture and male versus female. These double-sided coins are visualised on stage as the contrast between black and white, neither of which – like Yin and Yang – can exist without the other. The fairy tale character of THE MAGIC FLUTE is conveyed with directorial exhilaration and a remarkable set design, which have helped to make the production an audience favourite over the last 30 years.
About the workIt’s the most performed opera in the German-speaking region, an unusual – and masterly – blend of Viennese folk theatre and fairy tale, mythology and freemasonry mystique: Mozart’s THE MAGIC FLUTE remains a puzzle to this day. Did Mozart and his librettist Schikaneder switch horses from the Queen of the Night to Sarastro half way through? Is the message not one of distrust towards a supposedly infallible priesthood and its simplistic good-versus-evil ideology? Are some Mozart experts right when they talk of a disconnect between text and music? Whatever the answer, it’s the music that allows us to relate to the story’s contradictions. Far from denouncing the characters, it confers an existentiality on their conflicts.
Tamino is rescued from a dragon by three mysterious women, who show him a picture of Pamina, daughter of the Queen of the Night, who has been kidnapped by Sarastro, high priest of the Temple of the Sun. Besotted with the picture, Tamino is instructed by the Queen to team up with Papageno to rescue her. For a talisman he is given a magic flute, Papageno some magic bells. When they fail to steal Pamina back, the three of them are subjected to a series of perilous ordeals. Firstly, the men must prove they can keep silent. With Tamino not speaking to her, Pamina is about to stab herself but is saved by the three boy spirits, who lead her to Tamino. The pair then pass the remaining ordeals by fire and water. Meanwhile Papageno has acquired a lady friend, with whom he dreams of living happily ever after. Tamino and Pamina are inducted into the brotherhood of the Enlightened and embrace the ideals of nature, wisdom and reason.
About the productionThe Günter Krämer production focuses on the antithesis between two worlds, represented in THE MAGIC FLUTE by sun versus moon and dark versus light but also by the oppositions of nature versus culture and male versus female. These double-sided coins are visualised on stage as the contrast between black and white, neither of which – like Yin and Yang – can exist without the other. The fairy tale character of THE MAGIC FLUTE is conveyed with directorial exhilaration and a remarkable set design, which have helped to make the production an audience favourite over the last 30 years.
Artists/Collaborators: Giulio Cilona (Musikalische Leitung), Günter Krämer (Inszenierung), Andreas Reinhardt (Bühne, Kostüme), Thomas Richter (Chöre), Tobias Kehrer (Sarastro), Andrei Danilov (Tamino), Michael Bachtadze (Sprecher), Stephen Marsh (1. Priester), Burkhard Ulrich (2. Priester), Maria Perlt-Gärtner (Königin der Nacht), Elena Tsallagova (Pamina), Sua Jo (1. Dame), Karis Tucker (2. Dame), Davia Bouley (3. Dame), Alexandra Oomens (Papagena), Artur Garbas (Papageno), Chance Jonas-O'Toole (Monostatos), Jorge Puerta (1. Geharnischter), Jared Werlein (2. Geharnischter), Solisten des Tölzer Knabenchores (Drei Knaben), Chor der Deutschen Oper Berlin (Chöre), Orchester der Deutschen Oper Berlin (Orchester)
Runtime: Sun, 17/11/2024 to Sat, 12/07/2025
Pre-performance lecture (in German): 45 minutes prior to each performance
Alternative events
© Quelle: Reservix-System
Traum-Melodien der Operette
Mit einer kräftigen Portion "Wiener Schmäh", schönen Kostümen und großer Begeisterung intonieren die namhaften Vokalisten dann bekannte Werke wie „Wer uns getraut“, „Komm in die Gondel“, „Ich bin die Christel von der Post“, „Brüderlein und Schwesterlein“,... moreabout: Traum-Melodien der Operette
- Next date:
- dargeboten von einem Orchester, Ballett und Solisten
- Date:
- Sunday, 09/February/2025 16:00
- Venue:
- Kultur- und Festspielhaus Wittenberge (Großer Saal)
- Address:
- Paul-Lincke-Platz 1, 19322 Wittenberge
- Price:
- from €19.00
©andrys lukowski - stock.adobe.com
Pferd frisst Hut - Oper von Herbert Grönemeyer
- Date:
- Sunday, 09/February/2025 18:00 (6 more dates)
- Venue:
- Schiller Theater
- Address:
- Bismarckstraße 110, 10625 Berlin
- Price:
- from €44.00
© Gianmarco Bresadola
Rusalka
Rusalka, a water creature, has fallen in love with the seemingly unattainable prince. To find a place in his world and be close to him, she even gives up the power to speak and changes her shape. But can Rusalka live contrary to her nature? Can a love... moreabout: Rusalka
- Date:
- Sunday, 09/February/2025 18:00 (4 more dates)
- Venue:
- Staatsoper Unter den Linden
- Address:
- Unter den Linden 7, 10117 Berlin-Mitte
- Price:
- from €14.32
© Monika Rittershaus
Elektra
Like a call issuing from a mythical distant past, Richard Strauss’ »Elektra« summons the magic of eerie gloom and archaic brutality. moreabout: Elektra
- Date:
- Monday, 10/February/2025 19:30 (1 more date)
- Venue:
- Staatsoper Unter den Linden
- Address:
- Unter den Linden 7, 10117 Berlin-Mitte
- Price:
- from €10.96
© Stan Hema
Die Frau ohne Schatten
Hofmannsthal wrote to Strauss in 1911 that the new opera was to ZAUBERFLÖTE as the ROSENKAVALIER was to FIGARO. And indeed, much in this work is reminiscent of Mozart's "grand opera": the encounter between different social classes, the fairytale-like... moreabout: Die Frau ohne Schatten
- Date:
- Tuesday, 11/February/2025 18:00
- Venue:
- Deutsche Oper Berlin
- Address:
- Bismarckstraße 35, 10627 Berlin-Charlottenburg
- Price:
- from €32.10
The help page for the event calendar answers common questions.. Information about coperations and imprint can be found on our page about partners and terms and conditions.