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Der Zwerg
Date details
- Date Tuesday, 10/December/2024 19:30 (2 more dates)
- Venue Deutsche Oper Berlin
- Address Bismarckstraße 35, 10627 Berlin-Charlottenburg
- Price from €29.90
Book tickets for this date
Public transportation
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Underground
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U Deutsche Oper
- U2
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U Bismarckstr.
- U2
- U7
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U Richard-Wagner-Platz
- U7
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U Wilmersdorfer Str.
- U7
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U Deutsche Oper
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Bus
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U Deutsche Oper
- N2
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U Bismarckstr.
- N2
- N7
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Bismarckstr./Leibnizstr.
- 101
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Warburgzeile
- M45
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Bismarckstr./Kaiser-Friedrich-Str.
- 109
- N7
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Otto-Suhr-Allee/Leibnizstr.
- 101
- M45
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Berlin, Goethestr.
- 101
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U Richard-Wagner-Platz
- N7
- M45
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U Wilmersdorfer Str.
- 309
- M49
- X34
- X49
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Haubachstr.
- 109
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Berlin, Kaiser-Friedrich-Str./Kantstr.
- M49
- X34
- 309
- X49
- 109
- N7
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U Wilmersdorfer Str./S Charlottenburg
- X49
- S7
- S9
- 309
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Berlin, Kantstr./Leibnizstr.
- M49
- X34
- 101
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Eosanderstr.
- M45
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Zillestr.
- 309
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U Sophie-Charlotte-Platz
- 309
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U Deutsche Oper
Part of:
Der Zwerg (The Dwarf)
Der Zwerg, kommentiert von Sebastian Hanusa – Mick Morris Mehnert und David Butt Philip als Der Zwerg Monika Rittershaus
© Monika Rittershaus
![Der Zwerg – Mick Morris Mehnert als Zwerg, Elena Tsallagova als Donna Clara Ruth Tromboukis]()
Der Zwerg – Mick Morris Mehnert als Zwerg, Elena Tsallagova als Donna Clara Ruth Tromboukis
© Ruth Tromboukis
![Der Zwerg: Publikumsstimmen zur Premiere – Ruth Tromboukis]()
Der Zwerg: Publikumsstimmen zur Premiere – Ruth Tromboukis
© Ruth Tromboukis
![Probenbesuch: Der Zwerg – David Butt Philip als Der Zwerg, Elena Tsallagova als Donna Clara Ruth Tromboukis]()
Probenbesuch: Der Zwerg – David Butt Philip als Der Zwerg, Elena Tsallagova als Donna Clara Ruth Tromboukis
© Ruth Tromboukis
![Der Zwerg – u. a. Elena Tsallagova Monika Rittershaus]()
Der Zwerg – u. a. Elena Tsallagova Monika Rittershaus
© Monika Rittershaus
![Der Zwerg – Emily Magee, Amber Fasquelle, Maiju Vaahtoluoto und Flurina Stucki Monika Rittershaus]()
Der Zwerg – Emily Magee, Amber Fasquelle, Maiju Vaahtoluoto und Flurina Stucki Monika Rittershaus
© Monika Rittershaus
![Der Zwerg – u. a. Mick Morris Mehnert Monika Rittershaus]()
Der Zwerg – u. a. Mick Morris Mehnert Monika Rittershaus
© Monika Rittershaus
![Der Zwerg – Mick Morris Mehnert Monika Rittershaus]()
Der Zwerg – Mick Morris Mehnert Monika Rittershaus
© Monika Rittershaus
![Der Zwerg – Elena Tsallagova und Mick Morris Mehnert Monika Rittershaus]()
Der Zwerg – Elena Tsallagova und Mick Morris Mehnert Monika Rittershaus
© Monika Rittershaus
![Der Zwerg – David Butt Philip Monika Rittershaus]()
Der Zwerg – David Butt Philip Monika Rittershaus
© Monika Rittershaus
![Der Zwerg – David Butt Philip und Mick Morris Mehnert Monika Rittershaus]()
Der Zwerg – David Butt Philip und Mick Morris Mehnert Monika Rittershaus
© Monika Rittershaus
![Der Zwerg – Elena Tsallgova, David Butt Philip und Mick Morris Mehnert Monika Rittershaus]()
Der Zwerg – Elena Tsallgova, David Butt Philip und Mick Morris Mehnert Monika Rittershaus
© Monika Rittershaus
Zemlinsky's DER ZWERG tells the double drama of a man of small stature: his disability makes him the object of ridicule and contempt by society, and the fact that he himself is unaware of his disability makes him the victim of a perfidious game. In his acclaimed production, Tobias Kratzer brings Zemlinsky's opera to the stage as a bitter psychological thriller - and uses the autobiographical background of the composer's unhappy relationship with Alma Schindler-Mahler, who was also of small stature, as a framework ... Conductor: Sir Donald Runnicles; Director: Tobias Kratzer; With Elena Tsallagova, Olga Bezsmertna, David Butt Philip, Mick Morris Mehnert, Philipp Jekal, Adelle Eslinger-Runnicles, Evgeny Nikiforov and others.
It’s Princess Donna Clara’s 18th birthday and she’s getting showered with presents from all sides, but one gift in particular, from the Turkish Sultan, stands out from the crowd: a real-life dwarf! Amidst all the splendour and beauty the misshapen man attracts her special attention, charming her with his singing and fascinating her all the more for seeming to be blissfully unaware of his physical appearance. The dwarf falls madly in love with the princess and is blind to the coquettish game that she is playing. But then he comes face-to-face with his reflection for the first time in his life. Realising the truth of his situation, he falls down dead. Alexander Zemlinsky’s THE DWARF is based on Oscar Wilde’s fairy tale “The Birthday of the Infanta” and received its world premiere in 1922. Following Zemlinsky’s death in 1942 in American exile the work quickly slipped from public awareness, not to be rediscovered until the 1970s. Since then it has been drawing crowds as a subtle, vibrant seismogram of a highly complex and psychological constellation.
With THE DWARF, Alexander von Zemlinsky came to terms with his traumatic love affair with Alma Schindler, who had left him, a relatively short and outwardly unattractive man, to marry Gustav Mahler. In his production, director Tobias Kratzer has not dealt with this autobiographical background to the opera in this way, but has staged the piece as a modern fairy tale about the birthday of a rich, spoilt and ruthless daughter from a wealthy family. However, he prefaced Zemlinsky's one-act opera with a prologue. This contains the orchestral piece "Begleitungsmusik zu einer Lichtspielszene" by Arnold Schönberg, who was a student of Zemlinsky and later married Zemlinsky's sister Mathilde. Schönberg's orchestral piece was written to accompany a silent film yet to be shot - and becomes the soundtrack to a piano lesson between Zemlinsky and his pupil and later lover Alma, which also tells the story of their brief and passionate relationship.
It’s Princess Donna Clara’s 18th birthday and she’s getting showered with presents from all sides, but one gift in particular, from the Turkish Sultan, stands out from the crowd: a real-life dwarf! Amidst all the splendour and beauty the misshapen man attracts her special attention, charming her with his singing and fascinating her all the more for seeming to be blissfully unaware of his physical appearance. The dwarf falls madly in love with the princess and is blind to the coquettish game that she is playing. But then he comes face-to-face with his reflection for the first time in his life. Realising the truth of his situation, he falls down dead. Alexander Zemlinsky’s THE DWARF is based on Oscar Wilde’s fairy tale “The Birthday of the Infanta” and received its world premiere in 1922. Following Zemlinsky’s death in 1942 in American exile the work quickly slipped from public awareness, not to be rediscovered until the 1970s. Since then it has been drawing crowds as a subtle, vibrant seismogram of a highly complex and psychological constellation.
With THE DWARF, Alexander von Zemlinsky came to terms with his traumatic love affair with Alma Schindler, who had left him, a relatively short and outwardly unattractive man, to marry Gustav Mahler. In his production, director Tobias Kratzer has not dealt with this autobiographical background to the opera in this way, but has staged the piece as a modern fairy tale about the birthday of a rich, spoilt and ruthless daughter from a wealthy family. However, he prefaced Zemlinsky's one-act opera with a prologue. This contains the orchestral piece "Begleitungsmusik zu einer Lichtspielszene" by Arnold Schönberg, who was a student of Zemlinsky and later married Zemlinsky's sister Mathilde. Schönberg's orchestral piece was written to accompany a silent film yet to be shot - and becomes the soundtrack to a piano lesson between Zemlinsky and his pupil and later lover Alma, which also tells the story of their brief and passionate relationship.
Artists/Collaborators: Sir Donald Runnicles (Musikalische Leitung), Tobias Kratzer (Inszenierung), Rainer Sellmaier (Bühne, Kostüme), Stefan Woinke (Licht), Jeremy Bines (Chöre), Sebastian Hanusa (Dramaturgie), Elena Tsallagova (Donna Clara), Olga Bezsmertna (Ghita), David Butt Philip (Der Zwerg), Mick Morris Mehnert (Der Zwerg (Darsteller)), Philipp Jekal (Don Estoban), Sua Jo (Die erste Zofe), Arianna Manganello (Die zweite Zofe), Stephanie Wake-Edwards (Die dritte Zofe), Stephanie Lloyd (Das erste Mädchen), Kristina Griep (Das zweite Mädchen), Adelle Eslinger-Runnicles (Alma Schindler (Pianistin)), Evgeny Nikiforov (Alexander von Zemlinsky (Pianist)), Chor der Deutschen Oper Berlin (Chöre), Orchester der Deutschen Oper Berlin (Orchester)
Runtime: Sun, 01/12/2024 to Tue, 10/12/2024
Pre-performance lecture (in German): 45 minutes prior to each performance
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© Monika Rittershaus
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©andrys lukowski - stock.adobe.com
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