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Rita Mazza: The Voice

© Mayra Wallraff

The ways we sound and the noises we make are often judged and regulated by society. Coming from the perspective of growing up with Italian sign language as their first language, choreographer Rita Mazza dissects the labels put on different uses of The Voice – including their own. In their new performance with the same title, Mazza explores the intimate relations between identity, sexuality, and vocal articulations, while investigating control, solidarity, and shame. Developed in an artistic process that took accessibility into account from the start, the piece is a powerful challenge to the predominant culture that considers hearing as the norm.

INFORMATION ON ACCESSIBILITY

By and with Rita Mazza Dramaturgy, artistic collaboration accessibility: Noa Winter Light design: Raquel Rosildete Light assistant: Alexandra ÚhlarováSet design: Camille Lacadee Costume design, video animation: Evan Loxton Advice on movement quality & choreography: Gabriel Galindez Cruz Collaboration dance & choreography: Maria Giulia SerantoniAudio description & tactile tour: Johanna Krins, Gina JeskeDeaf DGS performer & interpreter: Corinna BrennerProduction management & care: Tiphaine Carrère, Agnes KernProduction preliminary work: Agnes KernDGS/English/German interpretation for internal team work: Stella Papantonatos, Alma Arnoul, Viviane Grünberger

A production by Rita Mazza in co-production with Tanz im August / HAU Hebbel am Ufer, Künstler*innenhaus Mousonturm, Kampnagel. Funded by: Fonds Darstellende Künste. In cooperation with Sophiensæle.

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