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Gargoyles
Date details
- Date Sunday, 03/November/2024 19:00
- Venue Ballhaus Ost
- Address Pappelallee 15 A, 10437 Berlin-Prenzlauer Berg
- Price from €14.30
Book tickets for this date
Public transportation
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Train (S-Bahn)
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S+U Schönhauser Allee
- S8
- S41
- S85
- S42
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S Prenzlauer Allee
- S8
- S41
- S85
- S42
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S+U Schönhauser Allee
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Underground
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Bus
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Raumerstr.
- 12
-
Milastr.
- N2
-
U Eberswalder Str.
- N2
- 12
-
Sredzkistr.
- N2
-
S+U Schönhauser Allee
- N2
-
Raumerstr.
-
Tram
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Raumerstr.
- M1
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U Eberswalder Str./Pappelallee
- 12
- M1
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Milastr.
- M1
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U Eberswalder Str.
- M10
- 12
- M1
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Stargarder Str.
- 12
- M1
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Husemannstr.
- M10
-
Friedrich-Ludwig-Jahn-Sportpark
- M10
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S+U Schönhauser Allee
- M1
-
Fröbelstr.
- 12
- M2
-
Prenzlauer Allee/Danziger Str.
- 12
- M2
-
Raumerstr.
Gargoyles
© Hanna Schaich
The dance theatre piece »Gargoyles« is based on critical feminist research into the relationship between villainy and gender using the motif of the »evil woman«. The stage project isolates several villainesses from their literary contexts and imagines them as Gothic gargoyles. These physical »incarnations of evil« borrowed from Gothic architecture serve as templates for the project: In the linking of dramatic figures and architectural elements, evil becomes recognisable as an overarching narrative that, like misogyny, seems to be deeply rooted in the foundations of our society.
Hanging at the edge of the stage, the grotesquely abstracted villains Medea and Lady Macbeth awaken from their actual and metaphorical fossilisation together with their performers. Half stone, half human form, the performers explore the theatrical and real tradition of the evil woman.
Anne Welenc celebrated her debut as an author and director with »QUEENS« in 2023. Her works are based on critical feminist research into classic theatre material, which she expands with impulses from related performing arts and elements of pop and club culture.
Hanging at the edge of the stage, the grotesquely abstracted villains Medea and Lady Macbeth awaken from their actual and metaphorical fossilisation together with their performers. Half stone, half human form, the performers explore the theatrical and real tradition of the evil woman.
Anne Welenc celebrated her debut as an author and director with »QUEENS« in 2023. Her works are based on critical feminist research into classic theatre material, which she expands with impulses from related performing arts and elements of pop and club culture.
Directing, text: Anne Welenc
Performance, dance: Samia Chancrin, Renae Shadler
Music: Annalena Fröhlich / JAMES
Costumes & stage: Michel Wagenschütz
Make-up consulting: Christina Neuss
Dramaturgy consulting: Maika Knoblich
Press photos, video documentation & trailer: Hanna Schaich
Light: Welenc und Wagenschütz
Production management: Anne Welenc
A production by Anne Welenc in cooperation with Ballhaus Ost. Funded by the Pankow District Office of Berlin Office for Further Education and Culture, Department of Art and Culture.
Performance, dance: Samia Chancrin, Renae Shadler
Music: Annalena Fröhlich / JAMES
Costumes & stage: Michel Wagenschütz
Make-up consulting: Christina Neuss
Dramaturgy consulting: Maika Knoblich
Press photos, video documentation & trailer: Hanna Schaich
Light: Welenc und Wagenschütz
Production management: Anne Welenc
A production by Anne Welenc in cooperation with Ballhaus Ost. Funded by the Pankow District Office of Berlin Office for Further Education and Culture, Department of Art and Culture.
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