Current language: English

Michael Ruetz: Poesie der Zeit

Timescapes 1966–2023

How to make visible the passage of time and transience, how to document the ruptures and changes that occur in societies and urban environments? These are the questions that Michael Ruetz – like few other artists – addresses in his work.

Michael Ruetz: aus "Timescape 162", 162.0, February 4 1991, 17:30 h, Pariser Platz, Berlin-Mitte, © Michael Ruetz – Michael Ruetz: aus "Timescape 162", 162.0, February 4 1991, 17:30 h, Pariser Platz, Berlin-Mitte, © Michael Ruetz

Michael Ruetz: aus "Timescape 162", 162.0, February 4 1991, 17:30 h, Pariser Platz, Berlin-Mitte, © Michael Ruetz – Michael Ruetz: aus "Timescape 162", 162.0, February 4 1991, 17:30 h, Pariser Platz, Berlin-Mitte, © Michael Ruetz

Since the mid-60s he has observed the transformation of natural and urban habitats in locations in Berlin and elsewhere in Europe in a large-scale photographic study, capturing the changes in a series of photographic snapshots and inventory images. His Timescapes came about over a period of nearly sixty years and comprise more than 600 series made up of thousands of photos. The central concept of Timescapes is that the position and visual axis of the camera always remain the same, while only the time intervals of the photo series vary.

At the heart of the exhibition are the Timescapes of Berlin. The photo series present a particularly powerful consolidation of the far-reaching transformation of German society in the post-war period, after reunification and up to the present day. Sites of power or historical relevance such as Potsdamer Platz or the Brandenburg Gate, the Schlossplatz, Gendarmenmarkt, Berlin’s government quarters or the Berlin Wall have undergone radical change, particularly since 1989/90. Buildings and visual axes disappear or are built anew, streets are returned to previous states or renamed, squares are radically redesigned, open spaces built upon, vacant spaces given new life.

Ruetz’ images of Berlin are an expression of how architecture can shape and redefine our environment, thus giving it a prerogative of interpretation over our perception. His photo series develop their own aesthetics beyond documentary sobriety, revealing a poetry of time in the process. At the same time, Ruetz’ photos admonish us, in these times of environmental and social crises, to rethink the principles of urban planning and development.

Photo leporellos with selected Berlin Timescapes will be published with the exhibition.

The documentary film Facing Time by Annett Ilijew supplements the exhibition programme.

Runtime: Thu, 09/05/2024 to Sun, 04/08/2024

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