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RIAS Kammerchor Berlin

Akademie für Alte Musik Berlin; Łukasz Borowicz, conductor; Bruckner

Bruckner im Komponistenhimmel: Schattenbild von Otto Böhler, 1914 – Grafik, Silhouette zahlreicher Männer mit Putten.

Bruckner im Komponistenhimmel: Schattenbild von Otto Böhler, 1914 – Grafik, Silhouette zahlreicher Männer mit Putten.

2024 is Bruckner year. This makes the classical world think first and foremost of his symphonies and his monumental religious works. By contrast, his works for liturgical use are much less well-known. The RIAS Kammerchor embarks on a voyage of discovery together with the Akademie für Alte Musik Berlin and, in addition to a number of shorter works, presents the Mass No 1 in D minor – with the aim of rediscovering the sonic experience of the period in which it was written by using a markedly slimmed-down cast.

Anton Bruckner (1824 – 1896)

Ouverture G minor WAB 98

Christus factus est

for unaccompanied choir

from Mass for Maundy Thursday WAB 9

Ave Maria WAB 6

for seven unaccompanied voices

Psalm 112 WAB 35

for mixed chorus and orchestra

Mass No 1 D minor WAB 26

for soloists, mixed chorus and orchestra 

(Concert programme with interspersed organ improvisations by Sebastian Heindl)

Artists/Collaborators: Johanna Winkel, Catriona Morison, Martin Mitterrutzner, Arttu Kataja, Akademie für Alte Musik Berlin, Łukasz Borowicz

19:15, South Foyer

Work introduction

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