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Exaudi

Late Night: a cappella

Faszinierend fragile Klangbilder: Exaudi ist eines der weltweit führenden Vokalensembles mit einer ausgeprägten Affinität für die extremen Ränder neuer und alter Musik.

Engelschor in höchster Konzentration, Ausschnitt aus Jan van Eycks Genter Altar, um 1432. – Renaissance-Gemälde mit sieben singenden Figuren

Engelschor in höchster Konzentration, Ausschnitt aus Jan van Eycks Genter Altar, um 1432. – Renaissance-Gemälde mit sieben singenden Figuren

© Promo

Fascinatingly fragile tonal images: Exaudi is one of the world’s leading vocal ensembles with a strong affinity for the outlying margins of new and ancient music. This group of singers can now be experienced at Musikfest Berlin in a late-night concert of chromatically spectacular Renaissance music. In the Papal chapel singer and music theorist Vicente Lusitano an artist is also represented who is now thought likely to be the first Black composer to be published in Europe.

Orlando di Lasso (ca. 1532 – 1594)

Timor et tremor

Selected motets from the twelve-art cycle Prophetiae Sibyllarum

Cipriano de Rore (ca. 1515 – 1565)

Calami sonum ferentes

Da le belle contrade d’oriente

                    

Vicente Lusitano (ca. 1522 – nach 1561) 

Heu me Domine

Nicola Vicentino (1511 – 1576)

Hierusalem’    

Musica prisca caput            

Three madrigal fragments: Soave e dolce ardore – Dolce mio ben – Madonna, il dolce pianto             

Luca Marenzio (1553 – 1599)

O voi che sospirate 

Solo e pensoso        

Luzzasco Luzzaschi (ca. 1545 – 1607)

Quivi sospiri

Artists/Collaborators: James Weeks

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