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Ensemble Resonanz

Isabel Mundry II; Peter Rundel / Riccardo Minasi, conductor; Mundry / Beethoven

In Thomas Klings „Ethnomühle“ wird Sprache gemahlen. Hier nur Korn zu Mehl: altes Mahlwerk in Spanien. – Ein Mahlwerk

In Thomas Klings „Ethnomühle“ wird Sprache gemahlen. Hier nur Korn zu Mehl: altes Mahlwerk in Spanien. – Ein Mahlwerk

A surprisingly different Beethoven enters into a dialogue with a composer who finds the music of the present in historical material, peeling it apart and digging it up, like a forward-looking archaeologist. In the second part of the Isabel Mundry showcase, the Ensemble Resonanz presents the final version of her piece Signaturen, based on the last bar of a Mozart sonata, before Riccardo Minasi conducts the ensemble through an unheard interpretation of Beethoven’s “Eroica”.

Isabel Mundry (*1963)

Signaturen (2022 – 2024)

for two pianos, percussion and two string groups

world premiere of the final version

Depuis le jour (mit Blick auf Sweelinck) (2012)

for strings and two percussionists 

to texts by Thomas Kling

Ludwig van Beethoven (1770 – 1827)

Symphony No. 3 in E-flat major op. 55 (1802/03)

Artists/Collaborators: Johannes Fischer, Peter Rundel, Riccardo Minasi, GrauSchumacher Piano Duo

18:10, Exhibition Foyer

Work introduction

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