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VISUAL MUSIC NIGHT I

Three sets, ranging from experimental soundscapes and electronic compositions to hypnotizing beats, each in combination with visual forms of expression - a broad spectrum of audiovisual performance art and artistic reflection await you on the opening evening of our festival! “mirror//flesh” for trumpet and electronics questions the relationship between artist and audience and addresses self-reflection in the performing arts. The interplay of sound, space, light and choreographic elements dissolves the boundaries between listening and watching. “Resonance of Berlin”, an audiovisual homage to Berlin, uses AI-supported sound and image compositions to present an artistic ‘city map’ that captures personal and collective perceptions of the metropolis. The performance allows the audience to experience its complexity in a new way and invites them to reflect on the influence of perception on artistic creation.Istanbul Ghetto Club, a multidisciplinary Berlin music collective with a sense of humor and an erotic touch, combines Anatolian, Greek and Mesopotamian melodies with modular synthesizers, visuals and performing arts. They hide behind masks and veils, but have nothing to hide. Anatolian Acid” emerges from tradition and zeitgeist, sweeping the audience away in a live performance and inviting them to dance. Translated with DeepL.com (free version)

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VISUAL MUSIC NIGHT I

Three audiovisual live sets transitioning from experimental to irresistibly danceable sounds

  • Simon Höfele

    Simon Höfele

  • Kaan Bulac

    Kaan Bulac

  • Istanbul Ghetto Club

    Istanbul Ghetto Club

  • Lucas Gutierrez

    Lucas Gutierrez

  • Thomas Pfaffinger

    Thomas Pfaffinger

Three sets, ranging from experimental soundscapes and electronic compositions to hypnotizing beats, each in combination with visual forms of expression - a broad spectrum of audiovisual performance art and artistic reflection await you on the opening evening of our festival! “mirror//flesh” for trumpet and electronics questions the relationship between artist and audience and addresses self-reflection in the performing arts. The interplay of sound, space, light and choreographic elements dissolves the boundaries between listening and watching. “Resonance of Berlin”, an audiovisual homage to Berlin, uses AI-supported sound and image compositions to present an artistic ‘city map’ that captures personal and collective perceptions of the metropolis. The performance allows the audience to experience its complexity in a new way and invites them to reflect on the influence of perception on artistic creation.Istanbul Ghetto Club, a multidisciplinary Berlin music collective with a sense of humor and an erotic touch, combines Anatolian, Greek and Mesopotamian melodies with modular synthesizers, visuals and performing arts. They hide behind masks and veils, but have nothing to hide. Anatolian Acid” emerges from tradition and zeitgeist, sweeping the audience away in a live performance and inviting them to dance. Translated with DeepL.com (free version)

Artists/Collaborators: Simon Höfele (Trompete), Thomas Pfaffinger (Komposition und Staging), Kaan Bulak (Komposition und Elektronik), Lucas Gutierrez (Visuals), Istanbul Ghetto Club (Audiovisuelles Live-Set), Lucilla Schmidinger (Dramaturgie)

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