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„Klänge der Steppe“ (Mongolei)

Supposed paradoxes are broken at a highly artistic level. In Mongolia, the sounds of nature have been imitated for centuries through the sound of voices and instruments. As an artistic expression, but also to enter into a dialogue with nature. The Urtin Duu singing of the women, for example, comforts the listener over the overwhelming silence of the Gobi Desert, while the overtone singing of the men, accompanied by the Mongolian national instrument, the horse-head fiddle, conjures up images of Genghis Khan and his horsemen.Programme follows.

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„Klänge der Steppe“ (Mongolei)

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Supposed paradoxes are broken at a highly artistic level. In Mongolia, the sounds of nature have been imitated for centuries through the sound of voices and instruments. As an artistic expression, but also to enter into a dialogue with nature. The Urtin Duu singing of the women, for example, comforts the listener over the overwhelming silence of the Gobi Desert, while the overtone singing of the men, accompanied by the Mongolian national instrument, the horse-head fiddle, conjures up images of Genghis Khan and his horsemen.Programme follows.

Artists/Collaborators: Bayarjargal Jargalsaikhan (Ikh Khuur), Munkhnyam Batkhuyag (Pferdekopfgeige), Namuuna Bat-Erdene (Yatga), Khosbayar Bayarsaikhan (Obertonsänger, zweisaitige Langhalslaute, Maultrommel), Ariunbaatar Battumur (Sänger, Schamanentrommel), Luvsantseren Boldbaatar (Obertonsänger, Pferdekopfgeige), Zoltsetseg Boldbaatar (Wölbbrettzither, Gesang), Anujin Enkhtaivan (Tanz, Gesang), Bolormaa Enkhtaivan (Gesang)

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